Waylon is back for another bite of the Eurovision apple. Here’s “Outlaw in ‘Em.”
You may remember Waylon from such Eurovision Song Contests as the one he nearly won in 2014, when he teamed up with Ilse DeLange as the Common Linnets with “Calm After the Storm.” It finished second at Eurovision and turned into a surprise summer hit after the Contest.
Listening to “Outlaw in ‘Em,” we are struck by how much it resembles what we hear on American country radio these days. It’s got a powerful guitar riff, a head-bobbing rhythm, and a spot-on arrangement with steel guitar. “Outlaw in ‘Em” also tips its hat to ’80’s hard rock. On vocal, Waylon gives us twang with a touch of Axl Rose.
Acts like Guns N’ Roses, Mötley Crüe, and Bon Jovi are surprisingly big influences on modern country. In fact, “Outlaw in ‘Em” prompted a lengthy discussion in our household about that time we saw Jason Aldean in concert and he did a “Paradise City/Sweet Child of Mine” medley. The crowd loved it. We did not. It wasn’t so much the choice of songs as his note-for-note cover brought absolutely nothing new to them. And we were in the front row, right up against the stage: He could see our displeasure.
Anyway, Waylon co-wrote “Outlaw in ‘Em” with Ilya Toshinskiy and Jim Beavers. That’s some serious Nashville weight being thrown around right there. Ilya Toshinskiy is a well-regarded session musician (primarily acoustic guitar, banjo, and mandolin), with a lengthy list of credits with country’s most marketable artists, like Toby Keith, Keith Urban, Blake Shelton, Carrie Underwood, and Trace Adkins. He has twice won the ACM Studio Recording Award for Specialty Instrument(s) Player of the Year, in 2013 and 2015.
Meanwhile, Jim Beavers is an in-demand Nashville songwriter with dozens of songs to his credit. He’s had nine number ones on the American country music charts from stars like Luke Bryan, Tim McGraw, Dierks Bentley, and Josh Turner, among others. The man knows his stuff: here’s a webinar he did for the Nashville Songwriters Association International on “The Art of Co-Writing.”
You think Eurovision is a small world? Take a look at Nashville some time. Here’s a fun example: Jim Beavers co-wrote, sang backup, and played guitar on Toby Keith’s seminal classic “Red Solo Cup” (and has a cameo in the music video). Ilya Toshinskiy was a studio musician on that album, Clancy’s Tavern.
All this to say, “Outlaw in ‘Em” is the real deal. When country music shows up at Eurovision or the national heats, it is typically pastiche or a bad facsimile. The Common Linnets brought authenticity, but it was a songwriter’s song. It’s a delight to see a country song that is both authentic and current showing up at Eurovision.