Welcome to the Eurovision Lemurs Seal of Approval, our guide to the cream of the Eurovision crop, the top songs out of the top songs, the best music on tap at Eurovision.
According to us.
You see, taste is a subjective thing and while a lot of songs we list here may also be fan favorites, no Eurovision song can cater to every single Eurovision fan. Except for “Waterloo,” which is perfect in every way.
So when we give a song the Eurovision Lemurs Seal of Approval, we’re providing you with some insight into why we respond to songs the way we do. Our favorites may not be your favorites, but we hope we can explain what it is about each of these songs that move us.
“If Love Was a Crime” by Poli Genova
Bulgaria returned to the Eurovision Song Contest in 2016 after a couple of years off with a new game plan: send great songs. “If Love Was a Crime” is a song that is immediately awesome. Its finger snap-laden beat and rich, pulsating bassline builds to an anthemic chorus that has everyone singing along in Bulgarian. When we’ve got this cranked, it still has the power to give us the chills.
“Occidentali’s Karma” by Francesco Gabbani
We latched onto “Occidentali’s Karma” right after its first performance at Sanremo 2017. Sure, the dancer in the gorilla suit caught our attention, but the song’s tuneful effervescence and playful satire hooked us. “Occidentali’s Karma” pokes fun at both the need for humans to feel like we have a higher purpose and our tendency to appropriate other cultures to feel like we have achieved that purpose. Despite the seemingly cynical subject matter, “Occidentali’s Karma” radiates joy. It also has a ridiculously catchy hook to boot.